Hiccupps

My friend Patrick Prill continues to dissect the growth, use, and risks of AI in our industry at the rate of an article or two a day, each one teasing out a particular thread from the very tangled issue ball. ( Here's yesterday's.) I recommend reading them for a thoughtful and detailed analysis and reflection on today's software and social ecosystems and the ways that AI is reshaping them.  They certainly make me think and, as with last week's Hedging Your Bets on AI , I find it helpful to capture those thoughts as analogies, so here's another. A very long time ago I wrote a music fanzine: A5, photocopied, 50p or a quid, sold by a scruffy long-hair in a German army jacket out of a battered record bag in the back rooms of pubs between bands. I remember well when domestic studio and CD-R technology became affordable because the volume of submissions for review increased dramatically ... and the overall quality likewise decreased. The technolog...

My friend and colleague Patrick Prill has been writing articles about AI in our industry at a prodigious rate over the last couple of weeks. (Here's  the second of yesterday's pieces.) I recommend reading them for a thoughtful and detailed analysis and reflection on today's software and social ecosystems and the ways that AI is reshaping them. I can't compete with the breadth, depth, or frequency of his output so, although this post is on the same topic, I offer only a short analogy.  Step back in time 60, 70 or 80 years and wander through England's pleasant pastures. You will see lanes and fields bordered with hedgerows maintained by skilled workers, living and breathing boundaries, functional for keeping stock in and intruders out but also a functioning component of the local ecological web. Hand-laid hedges are habitats. Birds nest in them, rodents and small mammals use them like a road network to travel safely around the landscape, stock animals use them as wind...

In 2024 I wrote a post, An AI Red Light , about a creative project I did with my daughter using both AI and "traditional" tooling. This was my conclusion: I think we were pragmatic in our choice of tools. Where our vision required control (video) we used a tool that gave us that control. Where we were happy to cede some control in exchange for output at a quality we could not produce ourselves (vocals) we used a different tool.  I didn't set out to do some kind of AI experiment. Instead I set out to have some fun with my daughter and found tools that enabled us to produce something, some art, that we're proud of and I'm happy is our work. For sure, we were sometimes more creators and sometimes more curators, but at no point were we ever mere spectators.  Two years down the road I have access to, and use, LLMs in my work. With them, I have been able to make things that I would not have done without them such as the user interface on my model-based dialog walker .  ...