Hands up if you think the world needs another format for retrospectives. Yeah, right. Yet here I am. Last October it was clear that we were becoming jaded. After a phase of novelty themes (at the festival, NSYNC, 8-bit video games, ...) and a long stretch of Stop Start Continue , engagement in our retros was sliding. So when it was my turn to facilitate I wanted to find a different format and I had some specific requirements in mind: a simple and intuitive structure, invitations to express feelings, and opportunities to be publicly grateful. I didn't find an existing template that fit the bill so I made one up, just four columns in a basic table with these headers: Kudos to ... 'cos of ... I like it when ... I feel meh about ... I don't like it when ... I expected it to be a one-off palate cleanser but it's proven popular and we've been using it for six months straight. There's no originality in those categories, by the way: I see a strong fami...
My friend Patrick Prill continues to dissect the growth, use, and risks of AI in our industry at the rate of an article or two a day, each one teasing out a particular thread from the very tangled issue ball. ( Here's yesterday's.) I recommend reading them for a thoughtful and detailed analysis and reflection on today's software and social ecosystems and the ways that AI is reshaping them. They certainly make me think and, as with last week's Hedging Your Bets on AI , I find it helpful to capture those thoughts as analogies, so here's another. A very long time ago I wrote a music fanzine: A5, photocopied, 50p or a quid, sold by a scruffy long-hair in a German army jacket out of a battered record bag in the back rooms of pubs between bands. I remember well when domestic studio and CD-R technology became affordable because the volume of submissions for review increased dramatically ... and the overall quality likewise decreased. The technolog...